Poetic of stylistic deviation and the widening circles of meaning in the poetic work of (Il-Tiba:s) by Hassen Al-Zahrani

This research entitled “Poetic of stylistic deviation and the widening circles of meaning in the poetic work of (Il-Tiba:s) by Hassen Al-Zahrani” examines the poetics of deviation in the poetry Dīywān (Il-Tibās) by the poet Hassen Al-Zahrani, and how such a creative poet could expand the circles of his various linguistic connotations at the phonetic, semantic, and syntactic levels. This study is an interpretive linguistic reading to understand the syntactic deviations which characterized the poet, aiming at identifying the poet’s method of embodying his feelings, his ideas and influential methods in revealing such ideas. The study concluded with results, the most notable of which is the poet’s reliance on anastrophe in several places, and his intensification of feeling and vision through the threshold of the title and the conclusion. The poet combined deletion and successive repetition to be an effective force in influencing. The poet relied on the abstraction of another character with which he debated. He also deliberately repeated specific sounds to create the desired effect. The deletion in the title also evidently appeared, which gave it effective excitement in the recipients' minds.